Graft Fixation begins with an accident report, then an admonition: “(There is always another version of this story.)” Tadros skillfully grafts verse, erasures, found language, institutional documents and darkly mysterious cross-sections of flesh and bone as she viscerally hones a unique genre: feminist injury poetics. Like the beautiful photographic abstractions of her injuries, Tadros dissects with MRI precision layers of eroticism, consent, gender, self-destruction and forgiveness to the very marrow of language, where she confronts the secret roots of pain and longing. Tadros emerges a cyborgian narrator for a twenty-first century literature on the enigmatic nature of injury.

— Kathline Carr, author of Miraculum Monstrum